{"id":7432,"date":"2015-08-10T12:19:37","date_gmt":"2015-08-10T10:19:37","guid":{"rendered":"http:\/\/schloendorff.deutsches-filminstitut.de\/?page_id=7432"},"modified":"2018-04-05T15:04:29","modified_gmt":"2018-04-05T13:04:29","slug":"a-degree-of-murder-196667","status":"publish","type":"page","link":"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/films\/a-degree-of-murder-196667\/","title":{"rendered":"A DEGREE OF MURDER (DE 1967)"},"content":{"rendered":"<div   class='avia-fullscreen-slider main_color   avia-builder-el-0  el_before_av_one_half  avia-builder-el-first  container_wrap sidebar_right'  ><a href='#next-section' title='' class='scroll-down-link ' aria-hidden='true' data-av_icon='\ue877' data-av_iconfont='entypo-fontello'><\/a><div  class='avia-slideshow av-av_fullscreen-fd539ba56ac3aeb4d62f8bece0ff98fa avia-slideshow-no scaling av_fullscreen avia-slide-slider av-slideshow-ui av-slideshow-autoplay av-loop-endless av-loop-manual-endless av-slider-scroll-down-active 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data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-av_fullscreen-fd539ba56ac3aeb4d62f8bece0ff98fa__0 caption_fullwidth caption_bottom caption_bottom_framed caption_framed'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h2 class='avia-caption-title '  itemprop=\"name\" >A DEGREE OF MURDER (1967)<\/h2><\/div><\/div><\/div><\/div><\/div><\/div><\/li><li style='background-position:top left;' data-img-url='https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2014\/03\/mord_und_totschlag_sonst_events_3_5_3_01_-I_005_peter-kuhn-1920px.jpg' class='avia-slideshow-slide av-av_fullscreen-fd539ba56ac3aeb4d62f8bece0ff98fa__2  slide-2 slide-even'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-av_fullscreen-fd539ba56ac3aeb4d62f8bece0ff98fa__2 caption_fullwidth caption_bottom caption_bottom_framed 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DEGREE OF MURDER (1967)<\/h2><\/div><\/div><\/div><\/div><\/div><\/div><\/li><\/ul><div class='avia-slideshow-arrows avia-slideshow-controls' ><a href='#prev' class='prev-slide ' aria-hidden='true' data-av_icon='\ue87c' data-av_iconfont='entypo-fontello'  tabindex='-1'>Previous<\/a><a href='#next' class='next-slide ' aria-hidden='true' data-av_icon='\ue87d' data-av_iconfont='entypo-fontello'  tabindex='-1'>Next<\/a><\/div><div class='avia-slideshow-dots avia-slideshow-controls'><a href='#1' class='goto-slide active' >1<\/a><a href='#2' class='goto-slide ' >2<\/a><a href='#3' class='goto-slide ' >3<\/a><\/div><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-7432'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-av_one_half-2a9015ff38129c418a3f2eafba3e9512 av_one_half  avia-builder-el-1  el_after_av_fullscreen  el_before_av_one_half  avia-builder-el-first  first flex_column_div  '     ><p><div  class='tabcontainer av-av_tab_container-0bacd910096d11a3cec6dfb538798966 top_tab  avia-builder-el-2  el_before_av_hr  avia-builder-el-first ' role='tablist'>\n<section class='av_tab_section av_tab_section av-av_tab-c78e6c07581a9c6b1dba8a394093755d'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='tab active_tab' role='tab' tabindex='0' data-fake-id='#tab-id-1' aria-controls='tab-id-1-content'  itemprop=\"headline\" >Synopsis and Basis<\/div><div id='tab-id-1-content' class='tab_content active_tab_content' aria-hidden=\"false\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><p><em>&#8220;A modern fairy tale: once upon a time there was a girl who set forth to experience the shivers and scares.&#8221;<\/em><\/p>\n<p>A girl, a weapon, a shot \u2013 and a dead body that immediately needs to be removed. A story without repentance or moral. There is a scene in DER JUNGE T\u00d6RLESS (<em>Young T\u00f6rless<\/em>) that hints at Schl\u00f6ndorff&#8217;s second film: In the newspaper, under the headline &#8220;Blood and Thunder&#8221;, Beineberg reads about an unusual case:<\/p>\n<blockquote>\n<p><em>Eight years of dungeon for murder \u2013 Until the age of 19 Wilhelmine worked as a waitress at a caf\u00e9 in Graz. Then she met the deserted soldier G\u00fcnther K., who brought her into prostitution and let her work for him. To the judge&#8217;s question why she had done it Wilhelmine responded: &#8220;I was submissive in bondage to him. When G\u00fcnther was bringing me to my work place on Wiener Stra\u00dfe that evening I told him: I don&#8217;t feel like it tonight. G\u00fcnther responded: so, then sleep with me. I didn&#8217;t want that either, so I fought back and G\u00fcnther beat me and became angry with me. Then, as always, I had to kneel down before him and pray to him as my God so that he would again be good to me. In the course of that night I shot him in his bed.&#8221;<\/em><\/p>\n<\/blockquote>\n<p>In reality, Schl\u00f6ndorff had read this article in the Munich evening newspaper, which gave him a vast amount of material for his next film, which <em>&#8220;<\/em><em>should not be literature, but finally<\/em> <em>Nouvelle Vague, here and today&#8221;<\/em> (Schl\u00f6ndorff)<em>. <\/em>After Hans has packed his bags to finally leave Marie, he starts to force her to sleep with him one last time. Even as Marie fights back, he does not stop. She grasps the weapon and shoots. Eventually she meets G\u00fcnther in a pub whom she persuades to help her dispose the corps\u2014a road trip into the countryside begins and the murder is put into the background.<\/p>\n<p><em><em>&#8220;No real love story develops, but some sort of friendship that goes beyond the natural companionship.&#8221;<\/em><\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-av_tab-25f2cf63b2e927e31aa2fd0461667c4b'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='tab' role='tab' tabindex='0' data-fake-id='#tab-id-2' aria-controls='tab-id-2-content'  itemprop=\"headline\" >Production and Pre-Production<\/div><div id='tab-id-2-content' class='tab_content' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><h3>Script<\/h3>\n<p>Shortly after his film debut, Schl\u00f6ndorff, together with Gregor von Rezzori, Niklas Frank and Arne Boyer, wrote the script for his first film in color, so that he could already start with the shooting in the fall of 1966. Instead of a literary film adaptation he now uses original material. Even before the shooting starts, Schl\u00f6ndorff expressed doubts about the development and success of the film, stating: <em>&#8220;My script is more than vague; it is a piece of work without a net. I hope that we will be able to keep the balance\u2014and that our rope is stretched up very high. This kind of work is at least more interesting; and I doubt that I will do a literary adaptation again\u2014unless we fall off the rope.&#8221;<\/em> The film should carry a special attitude to life and represent the <em>&#8220;general expectations of life&#8221;<\/em> and the <em>&#8220;<\/em>mobilization of childhood <em>against the rush demand of the grownups&#8221;<\/em> (ibid.).<\/p>\n<p>Nicholas Ray \u2013 whose <em>Rebel Without A Cause<\/em> (USA 1955) seems to hover, in form of a film poster in Marie&#8217;s room, like a motto over the atmosphere of the whole film<em>\u2014<\/em>provided a deal with Universal, to take on the worldwide distribution of the production, titled <em>A Degree of Murder<\/em>, for a multiple of the production costs. The planned contract that would oblige Schl\u00f6ndorff and Pallenberg for six more years was, however, never signed.<\/p>\n<h3>Shooting<\/h3>\n<p><em>&#8220;It is not a moral storyline, it is a crook of the finger, without thought, without responsibility.&#8221;<\/em> (Schl\u00f6ndorff 2011, p. 167)<\/p>\n<p>Without a raised finger and without moral judgment, the direction and the camera, for whose guidance Franz Rath could once again be won over, are supposed to concentrate only on capturing the pure moments, just as <em>&#8220;the action and the murder had happened in a blink of the eye&#8221; <\/em>(ibid.). Schl\u00f6ndorff decided, in order to highlight the monotony and the constriction of the large city scenery, to shoot in color and widescreen, resulting in his first Technicolor also being a Technicolor debut for the <em>Neuer Deutscher Film. <\/em>Not only should there be an improvisation of dialogs, but the expression, perspective and tone should completely result from the situation.<\/p>\n<h3>Cast<\/h3>\n<p>According to the script, the roles in this film were supposed to be cast &#8220;with unknown, ordinary people&#8221;<em>\u2014<\/em>instead, Schl\u00f6ndorff engaged none other than Anita Pallenberg for the main female role, who he had discovered on the front page of the teenage magazine <em>twen<\/em>. The 22-year-old fianc\u00e9e of <em>Rolling Stones <\/em>member Brian Jones was part of Schl\u00f6ndorff&#8217;s cast for the first time, but in comparison to her fellow actors, such as Werner Enke as Hans and Hans Peter Hallwachs as G\u00fcnther, was she the only famous actor. Schl\u00f6ndorff sometimes called her an <em>&#8220;explosive neuter&#8221; <\/em>or a <em>&#8220;beautiful goat&#8221;, <\/em>however, summing her up with the words <em>&#8220;Anita is a cinema animal.&#8221;<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-av_tab-588628607c5f2bd11e58d0f1063e27fa'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='tab' role='tab' tabindex='0' data-fake-id='#tab-id-3' aria-controls='tab-id-3-content'  itemprop=\"headline\" >Musik<\/div><div id='tab-id-3-content' class='tab_content' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><p>Schl\u00f6ndorff engaged the <em>Rolling Stones<\/em> founder and guitarist Brian Jones (*28.02.1942, +03.07.1969) for the soundtrack to his third film, MORD UND TOTSCHLAG <em>(A Degree of Murder).<\/em> Schl\u00f6ndorff remembers that Jones himself actually asked to write the soundtrack. The shooting of the film took place at a time when Jones was isolating himself from the <em>Stones, <\/em>no longer considering them as his band, and trying to follow his own musical interests. His girlfriend at that time was Anita Pallenberg, actress and model, who was chosen for the role of Marie after the test shots in Paris. She appeared for the shooting in the company of Brian Jones. British musicians, such as the pianist Nicky Hopkins, the drummer Kenney Jones from the <em>Small Faces<\/em>, <em>Led Zeppelin <\/em>guitarist Jimmy Page and <em>Stones <\/em>guitarist Keith Richards, were part of the recording of the sound track.<\/p>\n<p>The soundtrack to\u00a0<em>A Degree of Murder <\/em>is composed of Hillbilly music, Blues elements, Pop music, and Rhythm &#8216;n&#8217; Blues pieces. Especially the heavy-on-the-blues harmonica solos remind of the early <em>Rolling Stones.<\/em><\/p>\n<h3><b><span style=\"color: #000000;\">Effect<br \/>\n<\/span> <\/b><\/h3>\n<p>The harmony in\u00a0<em>A Degree of Murder<\/em> is quite simple and therefore relates to the mostly blithe attitude of the protagonists in respect to Marie&#8217;s murder. The music for the most part is cheerful and bright. Deep and sad accords, which the audience would expect, are only rarely used. This illustrates that Marie lacks any deeper grief for the death of her friend and that she does not regret her act. Marie is horror-stricken about her actions only in one scene towards the end of the film. There the camera shows a photograph of her ex-boyfriend, at which point Marie releases a bloodcurdling scream and collapses. This is accompanied by peculiar seeming pipe organ and mellotron sounds which illustrate the surreal situation.<\/p>\n<h3><b><span style=\"color: #000000;\">Main Theme<\/span> <\/b><\/h3>\n<p>The music can be described as monothematic, as it almost completely derives from a single theme. Variations of this theme are played with instruments such as the flute, sitar, banjo, violin, harmonica, guitar and pipe organ, which were all played by the multi-instrumentalist Brian Jones. Furthermore, this theme is heard in various musical styles. For example, a rock version of the theme is played during the murder scene and, after the death of Hans, a version of the melody is carried out in the style of a dirge, only played by flutes.<\/p>\n<h3><b><span style=\"color: #000000;\">Music for settling the events<\/span> <\/b><\/h3>\n<p>In addition to the main theme, music is used in some scenes to depict the atmosphere of the particular locality. In the bar scene one can hear Rhythm &#8216;n&#8217; Blues songs and Pop hits. This strategy sets the film in the 1960s. During breakfast with Fritz&#8217;s aunt a Hillbilly piece sounds, played on a Banjo to highlight the rural setting. Playing the Hillbilly piece supports the odd character of the film, as Hillbilly usually associates with the US countryside and not with provincial Bavaria, which therefore makes a contrapuntal effect.<\/p>\n<\/div><\/div><\/section>\n<section class='av_tab_section av_tab_section av-av_tab-ac7a72424b711d080917bb408f391c32'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='tab' role='tab' tabindex='0' data-fake-id='#tab-id-4' aria-controls='tab-id-4-content'  itemprop=\"headline\" >Reception<\/div><div id='tab-id-4-content' class='tab_content' aria-hidden=\"true\"><div class='tab_inner_content invers-color'  itemprop=\"text\" ><p>Schl\u00f6ndorff&#8217;s second film was also sent to the International Filmfestival in Cannes as Germany&#8217;s official contribution. However, unlike the previous year, MORD UND TOTSCHLAG <em>(A Degree of Murder) <\/em>did not bring home any awards. Still, the cast around Anita Pallenberg, her fianc\u00e9 Brian Jones and his band colleague Keith Richards caused great excitement and a storm of flashlights at the Croissette. In Germany the film was received with excitement at the Deutsche Filmpreis, awarding Franz Rath with the <em>Filmband in Gold <\/em>for Best Camera Work and Rob Houwer with the <em>Filmband in Silber <\/em> for Best Production. The film received another silver award in the catagory \u201eAbendf\u00fcllende Spielfilme\u201c (feature-length film). The press sees in Schl\u00f6ndorff&#8217;s second project the spirit of the Pre-68th youth, a troop of deniers: <em>&#8220;Schl\u00f6ndorff&#8217;s second film [\u2026] lives on the spontaneity of a generation, which carries chill in its blood and equates feelings with discharge&#8221; <\/em>judges <a href=\"http:\/\/schloendorff.deutsches-filminstitut.de\/sammlung\/mord-und-totschlag-presse-die-welt\/\"><em>Die Welt<\/em><\/a>. <a href=\"http:\/\/schloendorff.deutsches-filminstitut.de\/sammlung\/mord-und-totschlag-presse-le-monde\/\"><em>Le Monde<\/em><\/a> in France titles\u00a0:<em> &#8220;La jeunesse et les idoles dans la soci\u00e9t\u00e9&#8221; <\/em>(The youth and the idols in society) to announce the entry in Cannes.<\/p>\n<\/div><\/div><\/section>\n<\/div><br \/>\n<div  class='hr av-av_hr-d3021aff4e2c88ff75459fd6b3a45a12 hr-default  avia-builder-el-3  el_after_av_tab_container  avia-builder-el-last '><span class='hr-inner '><span 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class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' class='toggle_wrap  '  ><div class='toggle_content invers-color '  itemprop=\"text\" ><div  id=\"av-sc-portfolio-1\"  class=\"av-portfolio-grid-sorting-container\"><div class='sort_width_container  av-sort-yes' data-portfolio-id='1' ><div id='js_sort_items' ><div class='sort_by_cat '><a href=\"#\" data-filter=\"all_sort\" class=\"all_sort_button active_sort\"><span class=\"inner_sort_button\"><span>All<\/span><small class=\"av-cat-count\"> 38 <\/small><\/span><\/a><span class=\"text-sep a-degree-of-murder-events_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"a-degree-of-murder-events_sort\" class=\"a-degree-of-murder-events_sort_button\" ><span class=\"inner_sort_button\"><span>A Degree of Murder - Events<\/span><small class=\"av-cat-count\"> 5 <\/small><\/span><\/a><span class=\"text-sep a-degree-of-murder-contact-sheets_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"a-degree-of-murder-contact-sheets_sort\" class=\"a-degree-of-murder-contact-sheets_sort_button\" ><span class=\"inner_sort_button\"><span>A Degree of Murder \u2013 Contact Sheets<\/span><small class=\"av-cat-count\"> 1 <\/small><\/span><\/a><span class=\"text-sep a-degree-of-murder-stills_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"a-degree-of-murder-stills_sort\" class=\"a-degree-of-murder-stills_sort_button\" ><span class=\"inner_sort_button\"><span>A Degree of Murder \u2013 Film Stills<\/span><small class=\"av-cat-count\"> 3 <\/small><\/span><\/a><span class=\"text-sep a-degree-of-murder-other-photos_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"a-degree-of-murder-other-photos_sort\" class=\"a-degree-of-murder-other-photos_sort_button\" ><span class=\"inner_sort_button\"><span>A Degree of Murder \u2013 Other Photos<\/span><small class=\"av-cat-count\"> 26 <\/small><\/span><\/a><span class=\"text-sep a-degree-of-murder-production-stills_sort_sep\">\/<\/span><a href=\"#\" data-filter=\"a-degree-of-murder-production-stills_sort\" class=\"a-degree-of-murder-production-stills_sort_button\" ><span class=\"inner_sort_button\"><span>A Degree of Murder \u2013 Production Stills<\/span><small class=\"av-cat-count\"> 3 <\/small><\/span><\/a><\/div><\/div><\/div><div  class=' grid-sort-container isotope   no_margin-container with-excerpt-container grid-total-even grid-col-4 grid-links-' data-portfolio-id='1'><div data-ajax-id='9056' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9056 grid-entry-overview grid-loop-1 grid-parity-odd  a-degree-of-murder-events_sort a-degree-of-murder-awards-and-distinctions_sort awards-and-distinctions_sort events_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-2\/\" title='A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 2'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_002_Mario-Mah_wz-260x185.jpg\" class=\"wp-image-13462 avia-img-lazy-loading-not-13462 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-2\/' title='A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 2'>A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 2<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9054' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9054 grid-entry-overview grid-loop-2 grid-parity-even  a-degree-of-murder-events_sort a-degree-of-murder-awards-and-distinctions_sort awards-and-distinctions_sort events_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-1\/\" title='A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 1'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_001_Mario-Mah_wz-260x185.jpg\" class=\"wp-image-13461 avia-img-lazy-loading-not-13461 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" srcset=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_001_Mario-Mah_wz-260x185.jpg 260w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_001_Mario-Mah_wz-300x215.jpg 300w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_001_Mario-Mah_wz-705x505.jpg 705w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mordund-Totschlag_Foto_Pressekonferenz_VSPallenberg-NL-VS-5_12_13-Schatztruhe_001_Mario-Mah_wz.jpg 1024w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-1\/' title='A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 1'>A DEGREE OF MURDER \/\/ Awards and Distinctions \/ Press Conference 1<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9008' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9008 grid-entry-overview grid-loop-3 grid-parity-odd  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-14\/\" title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 14'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_015_wz-260x185.jpg\" class=\"wp-image-13481 avia-img-lazy-loading-not-13481 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-14\/' title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 14'>MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 14<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9006' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9006 grid-entry-overview grid-loop-4 grid-parity-even  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-13\/\" title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 13'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_013_wz-260x185.jpg\" class=\"wp-image-13480 avia-img-lazy-loading-not-13480 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-13\/' title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 13'>MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 13<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9004' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9004 grid-entry-overview grid-loop-5 grid-parity-odd  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-12\/\" title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 12'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_012_wz-260x185.jpg\" class=\"wp-image-13479 avia-img-lazy-loading-not-13479 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-12\/' title='MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 12'>MORD UND TOTSCHLAG \/\/ Fotos \/ Fotostrecke Michael Cooper, 12<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9062' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9062 grid-entry-overview grid-loop-6 grid-parity-even  a-degree-of-murder-events_sort events_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-3\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 3'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_004-Traverso-Photographe_wz-260x185.jpg\" class=\"wp-image-13501 avia-img-lazy-loading-not-13501 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-3\/' title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 3'>A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 3<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9060' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9060 grid-entry-overview grid-loop-7 grid-parity-odd  a-degree-of-murder-events_sort events_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-2\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 2'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_003-Maurice-Gaulmin_wz-260x185.jpg\" class=\"wp-image-13500 avia-img-lazy-loading-not-13500 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-2\/' title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 2'>A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 2<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9058' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9058 grid-entry-overview grid-loop-8 grid-parity-even  a-degree-of-murder-events_sort events_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-1\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 1'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-260x185.jpg\" class=\"wp-image-13498 avia-img-lazy-loading-not-13498 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" srcset=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-260x185.jpg 260w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-300x213.jpg 300w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-768x546.jpg 768w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-705x501.jpg 705w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz-450x320.jpg 450w, https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_001_Leo-Mirkine_wz.jpg 1024w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-preise-und-veranstaltungen-cannes-1967-1\/' title='A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 1'>A DEGREE OF MURDER \/\/ Photos \/ Events, Cannes 1967, 1<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9026' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9026 grid-entry-overview grid-loop-9 grid-parity-odd  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort photos_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-24\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 23'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_024_wz-260x185.jpg\" class=\"wp-image-13492 avia-img-lazy-loading-not-13492 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-24\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 23'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 23<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9024' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9024 grid-entry-overview grid-loop-10 grid-parity-even  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-23\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 22'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_023_wz-260x185.jpg\" class=\"wp-image-13491 avia-img-lazy-loading-not-13491 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-23\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 22'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 22<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9022' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9022 grid-entry-overview grid-loop-11 grid-parity-odd  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-22\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 21'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_022_wz-260x185.jpg\" class=\"wp-image-13489 avia-img-lazy-loading-not-13489 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-22\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 21'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 21<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9020' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9020 grid-entry-overview grid-loop-12 grid-parity-even  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/3556\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 20'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_020_wz-260x185.jpg\" class=\"wp-image-13488 avia-img-lazy-loading-not-13488 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 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data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_019_wz-260x185.jpg\" class=\"wp-image-13487 avia-img-lazy-loading-not-13487 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-19\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 19'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 19<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9016' class=' grid-entry flex_column isotope-item all_sort 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src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_016_wz-260x185.jpg\" class=\"wp-image-13483 avia-img-lazy-loading-not-13483 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-16\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 16'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 16<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9010' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9010 grid-entry-overview grid-loop-17 grid-parity-odd  a-degree-of-murder-other-photos_sort 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<img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_026_wz-260x185.jpg\" class=\"wp-image-13494 avia-img-lazy-loading-not-13494 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-26\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 11'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 11<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9000' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9000 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\/\/ Photos \/ Photo Series Michael Cooper, 9'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_009_wz-260x185.jpg\" class=\"wp-image-13477 avia-img-lazy-loading-not-13477 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-8\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 9'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 9<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8996' class=' 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itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-5\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 5'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_005_wz-260x185.jpg\" class=\"wp-image-13475 avia-img-lazy-loading-not-13475 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-5\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 5'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 5<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8988' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8988 grid-entry-overview grid-loop-25 grid-parity-odd  a-degree-of-murder-other-photos_sort films-as-director_sort fotos-en_sort other-photos_sort photos_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-4\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 4'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_004_wz-260x185.jpg\" class=\"wp-image-13474 avia-img-lazy-loading-not-13474 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-4\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 4'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 4<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8986' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8986 grid-entry-overview grid-loop-26 grid-parity-even  a-degree-of-murder-other-photos_sort 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<img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Fotos_Werkfotos_sw_AndyBoulton_3_5_3_01-II_002_wz-260x185.jpg\" class=\"wp-image-13470 avia-img-lazy-loading-not-13470 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-sonstige-fotos-2-2\/' title='A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 2'>A DEGREE OF MURDER \/\/ Photos \/ Photo Series Michael Cooper, 2<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8982' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8982 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decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Foto_Kontaktbogen_5_5_01_001_wz-260x185.jpg\" class=\"wp-image-13463 avia-img-lazy-loading-not-13463 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-kontaktbogen-1\/' title='A DEGREE OF MURDER \/\/ Photos \/ Contact Sheet 1'>A DEGREE OF MURDER \/\/ Photos \/ Contact Sheet 1<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8972' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8972 grid-entry-overview grid-loop-33 grid-parity-odd  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fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/Mord_und_Totschlag_Fotos_sonstiges_Events_3_5_3_01_-I_009_wz-260x185.jpg\" class=\"wp-image-13459 avia-img-lazy-loading-not-13459 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-werkfoto-2\/' title='A DEGREE OF MURDER \/\/ Photos \/ Production Still 2'>A DEGREE OF MURDER \/\/ Photos \/ Production Still 2<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8968' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8968 grid-entry-overview grid-loop-35 grid-parity-odd  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itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-fotos-werkfoto-1\/' title='A DEGREE OF MURDER \/\/ Photos \/ Production Still 1'>A DEGREE OF MURDER \/\/ Photos \/ Production Still 1<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8966' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8966 grid-entry-overview grid-loop-36 grid-parity-even  a-degree-of-murder-stills_sort stills_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-szenenfoto-3\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Film Still 3'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Verleihfoto_3_5_4_01_003_wz-260x185.jpg\" class=\"wp-image-13469 avia-img-lazy-loading-not-13469 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-szenenfoto-3\/' title='A DEGREE OF MURDER \/\/ Photos \/ Film Still 3'>A DEGREE OF MURDER \/\/ Photos \/ Film Still 3<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='8964' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-8964 grid-entry-overview grid-loop-37 grid-parity-odd  a-degree-of-murder-stills_sort stills_sort films-as-director_sort fotos-en_sort photos_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-szenenfoto-2\/\" title='A DEGREE OF MURDER \/\/ Photos \/ Film Still 2'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Verleihfoto_3_5_4_01_002_wz-260x185.jpg\" class=\"wp-image-13468 avia-img-lazy-loading-not-13468 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a 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height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2018\/01\/MordundTotschlag_Verleihfoto_3_5_4_01_001_wz-260x185.jpg\" class=\"wp-image-13467 avia-img-lazy-loading-not-13467 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-szenenfoto-1\/' title='A DEGREE OF MURDER \/\/ Photos \/ Film Still 1'>A DEGREE OF MURDER \/\/ Photos \/ Film Still 1<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><\/div><\/div>   <!--   class=\"av-portfolio-grid-sorting-container\"  -->\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-av_toggle-727000075825ba3e243b0a622eb7f440'  itemscope=\"itemscope\" 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MURDER \/\/ Press \/ Portrait Schl\u00f6ndorff in Filmtheater-Praxis'>A DEGREE OF MURDER \/\/ Press \/ Portrait Schl\u00f6ndorff in Filmtheater-Praxis<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9048' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9048 grid-entry-overview grid-loop-5 grid-parity-odd  a-degree-of-murder-press_sort films-as-director_sort press_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-presse-le-monde\/\" title='A DEGREE OF MURDER \/\/ Press \/ Le Monde'  data-rel='grid-3' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2014\/03\/mord-und-totschlag_presse_frankreich_3_7_2_01_001-260x185.jpg\" class=\"wp-image-4892 avia-img-lazy-loading-not-4892 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"MORD UND TOTSCHLAG \/\/ Presse \/ Le Monde\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/mord-und-totschlag-presse-le-monde\/' title='A DEGREE OF MURDER \/\/ Press \/ Le Monde'>A DEGREE OF MURDER \/\/ Press \/ Le Monde<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9038' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9038 grid-entry-overview grid-loop-6 grid-parity-even  a-degree-of-murder-press_sort films-as-director_sort press_sort  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decoding=\"async\" fetchpriority=\"high\" width=\"260\" height=\"185\" src=\"https:\/\/schloendorff.deutsches-filminstitut.de\/medien\/2014\/03\/MordundTotschlag_Presseartikel_-3_7_1_01_016-260x185.jpg\" class=\"wp-image-3992 avia-img-lazy-loading-not-3992 attachment-portfolio_small size-portfolio_small wp-post-image\" alt=\"MORD UND TOTSCHLAG \/\/ Presse \/ Der Abend\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/schloendorff.deutsches-filminstitut.de\/en\/sammlung\/6216\/' title='A DEGREE OF MURDER \/\/ Press \/ Der Abend'>A DEGREE OF MURDER \/\/ Press \/ Der Abend<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='9034' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-9034 grid-entry-overview grid-loop-10 grid-parity-even  a-degree-of-murder-press_sort 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